ไฟล์เสียงปลอดค่าลิขสิทธิ์ 10,156 ไฟล์สำหรับ "Drum And Bass"

Brahms Symphony No. 3, opening bars

J.S.Bach, concluding bars of the Fugue in C major from The Well Tempered Clavier, Book I, BWV 846

Contrapunctus VII from Bach's Art of Fugue

Brahms Violin Sonata in G, 1, bars 235ff

Siegfried's Horn Call E flat version

Haydn Symphony 82 1st movement bars 51-63

Leitmotif transformed in Hagen's Watch

Schumann, Kind im Einschlummern (Child falling asleep)

Final statement of the theme in a major key by the horns after the end of the cadenza.

Handel Hornpipe from Water Music

Haydn String Quartet Op. 76 No. 3, second movement, bars 80-81

Edi beo, English medieval "twinsong"

Handel Passacaille from Suite in G minor bars 1-4

Cascading arpeggios on celesta from Sugar Plum Fairy

A MIDI recording of the first two bars of Fugue in C Minor, BWV 847, by J.S. Bach.

Wagner, Tristan Prelude, closing bars

Erl King - arrangement by Liszt opening bars

A Major Scale, Triads, and Fifths Equal.

Tristan-motif

Schumann Piano Concerto Finale bars 120-127

Haydn Minuet from Quartet in D minor Op. 76

Greensleeves is an example of sectional binary form (the first phrase ends with the tonic). In the key of G, with E flat and F natural and sharp.

Klangbeispiel eines Pralltrillers (musikalische Verzierung), Beginn mit oberer Nebennote; Instument: Piano

Klangbeispiel eines Pralltrillers (musikalische Verzierung); Instument: Piano

Klangbeispiel eines kurzen Vorschlags (musikalische Verzierung); Instument: Piano

Klangbeispiel eines langen Vorschlags (musikalische Verzierung); Instument: Piano

Major version of the theme, with horns playing the melody

Dufay Resvelons nous

Tchaikowsky Symphony 6, finale bars 1-6

Golliwogg's cake-walk bars 1-2

Buxtehude, Psalm 42 "Quem ad modum desiderat cervis"

Siegfried's Horn Call

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Solo piano statement of theme in the cadenza

March to the Scaffold bars 1-4 for audio

Erl King - Berlioz version for audio replacement

Mussorgsky, the Hut on Fowl's legs

Cloches a travers le feuilles

Wagner, Tristan Prelude, opening

Minor version of the theme

Coronation scene from Boris Godunov

Erlkonig, arrangement by Berlioz

Ravel Quartet, second movement

Carissimi from Jephtha

Agincourt carol - Deo gracias

Schutz Heu mihi, Domine from Cantiones Sacrae

Brahms Symphony No. 2, finale, bars 135-142

Tutti statement of the theme.

Beethoven canon from piano sonata in A, Op. 101

Schubert, 'Die Stadt' from Schwanengesang, piano postlude